The Dark Dandy: Aesthetic Subversion in Bryan Fuller’s Hannibal

There is a certain satisfaction from seeing the good guy catch the bad guy. The tropes of genre allow one to anticipate a certain pattern and find joy when those anticipated elements come to pass (Smith, 2010). But what happens when this logic is subverted? In the current programming-dense “peak” of television, the avid postmodern viewer exhausts genre power, asking TV to be more, do more. In this way, not satisfying audience expectations actually produces more satisfaction. In Hannibal (2013-2015), a genre-defying television show developed and produced by Bryan Fuller, this is accomplished by complicating what is good and evil through careful aesthetic subversion that supports, in formal elements, a plot that with a consumerist morality deifies the bad guy, Dr. Hannibal Lecter (Mads Mikkelsen). In doing so, such a show Continue reading

On the Air Tonight: Music in FX’s The Americans

Music is the first thing one experiences in the pilot episode of The Americans. Quarterflash’s 1981 hit, “Harden My Heart,” plays as we get the show’s setting: Washington D.C. No year is announced, but the song, with it’s era-specific “sexy” saxophone, tells us we are in the ‘80s. We aren’t sure that the music isn’t diegetic as we see Keri Russell sitting at a bar leaning into the conversation she is having with a middle-aged man who has deluded himself into believing that a woman that beautiful is incredibly interested in him.

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The Russians

Finally starting The Americans. It airs on FX, but I’m streaming it from the beginning on Amazon Prime Video. Love that Death Comes to Pemberley‘s Darcy co-stars! I’m not really familiar with Kerri Russell. I watched a few episodes of Felicity…I think…back when it was on. All I know is that I need to at least give a shot to any show  is obsessed with.

The Americans is back — and it’s still the best-kept secret on TV


*If you haven’t seen it, you should definitely stream DCTP on Netflix.