On the Air Tonight: Music in FX’s The Americans

Music is the first thing one experiences in the pilot episode of The Americans. Quarterflash’s 1981 hit, “Harden My Heart,” plays as we get the show’s setting: Washington D.C. No year is announced, but the song, with it’s era-specific “sexy” saxophone, tells us we are in the ‘80s. We aren't sure that the music isn't diegetic … Continue reading On the Air Tonight: Music in FX’s The Americans

Prestige in Horror: The Semiotics of Penny Dreadful’s Intro Sequence

The opening titles sequence of Showtime's Penny Dreadful visually invokes genre conventions while using music to connote quality. The first shot is a selective focus close-up of a spider emerging from frame left in low-key light as violin music commences with suspenseful charge, two-thirds of the screen still in darkness. This isn't any ordinary spider, as the … Continue reading Prestige in Horror: The Semiotics of Penny Dreadful’s Intro Sequence

VISUALIZING HINDSIGHT: The Semiotics of Halt and Catch Fire’s Title Sequence

Halt and Catch Fire  is a show more about time and technological progress than characters, and the intro sequence reflects that.  Currently airing its fourth and final season on AMC, the show charts the evolution of digital technology from the personal computer boom through to the creation of our current portal to the web, algorithmic … Continue reading VISUALIZING HINDSIGHT: The Semiotics of Halt and Catch Fire’s Title Sequence