The Dark Dandy: Aesthetic Subversion in Bryan Fuller’s Hannibal. In Hannibal (2013-2015), a genre-defying television show developed and produced by Bryan Fuller, this is accomplished by complicating what is good and evil through careful aesthetic subversion that supports, in formal elements, a plot that with a consumerist morality deifies the bad guy, Dr. Hannibal Lecter (Mads Mikkelsen). In doing so, such a show invites the viewer to reconsider the status quo and contemporary morality beyond television, into reality. By making Hannibal Lecter a success by the neoliberal American values of wealth, class, and beauty any attraction we have for him makes us question our own motives and the measures by which our society deems someone good. Hannibal coded itself as a cool, intellectual TV show by using uncharacteristic art direction, costuming, and cinematography to make us like a killer by aestheticizing him and his grotesqueness, thereby critiquing what our capitalist society exalts.
I started streaming Crazy Ex-Girlfriend ( a.k.a. CXGF) on Netflix on Saturday night. The "Sexy Getting Ready Song" was refreshingly accurate. I was hooked after that. However, by episode 15, my interest took a dive. I'm afraid that much like my beloved The Good Wife, CXGF might be trapped in its name. Could it have hit the … Continue reading Is Crazy Ex Out of Steam?
"Stop killing off TV’s lesbians: This depressing trope limits storytelling about queer women" What do you do when you really like a show that buries its gays or participates in #queerbaiting to avoid gay characters altogether? #snowqueen#sleepingwarrior #dastiel
For sure thought this was a made up Vampire Diaries thing... 💉☠🍵
After seeing a fan mash-up of Sherlock with House M.D. on YouTube, I was curious what CBS’s Elementary might offer as an updated, American version of Sir Arthur Conan Doyle’s stories. I searched for an interview with one of Elementary’s female producers, and landed on Liz Friedman, a very accomplished television producer and writer who … Continue reading Boss is King: Meritocratic excuses of wage theft by above-the-line workers in semi-embedded deep texts
https://youtu.be/XtN5lTIUHeA Laura Prudom writing in Variety’s March 22, 2016 article, “Supergirl’ Meets ‘The Flash’: Stars Take Us Behind the Scenes on the Crossover (EXCLUSIVE)” reveals the economic convergence involved in such event programming. Henry Jenkins defines various forms of the post-network phenomena of convergence, the economic variety consisting of the ownership of different forms of media. … Continue reading Convergence Breeds Convergence: Crossover in CBS’s Supergirl
Best known for its crime procedurals like NCIS and event reality shows like Survivor, CBS doubled-down on its cash cow shows years ago, as unabashed king of back-door pilots spinning off into series. While comedies and non-crime dramas exist and are even popular on the network, the majority of CBS shows are similar in … Continue reading When Voicemails Are Love Letters: Hitting the Repetition Wall in CBS’s The Good Wife